limited pressing of 300!! mysterious bufiman and the glorious tim schumacher on the label that fully dedicate itself to the underground house sound. bufiman delivers two magical tracks that blend analogue disco, fantastic house and heavy tribal voodoo rhythms to create something very special in electronic dancemusic - we call it obscure discohouse, he calls it monkey b-boy-style. tim schumacher is representing on this record his very own interpretation of chicago-house and brings us three driving tracks that are rooting deeply in the love for analogue sound production of the late 80ies, no matter if its house, disco or synth-pop, but always with a very personal approach to what house-music is all about: emotions. on the last track no less than dj jakob from terpsiton/vfmm is jamming together with tim and two other friends in a dadaistic session

the small, exquisitely formed take records maintain their reputation for tracks that elegantly live their life on the peripheries of house and techno with this release from one of the labels co-owners, rick grant, and a fine cabal of remixers. the west london-based producers original mix adopts the full widescreen effect, cascading deep bass throbs and a trembling metallic clatter across a ponderous 2-step click. consequences reworking wires in some heavy-ass sub-bass transmissions and a rapid-fire hi-hat rhythm, before jack dixons late-night submission takes a clockwork 4/4 tempo and bolts a springy, low-slung bassline to it, accompanied by layers of velvety synth patterns. crossing is an ep of uniformly consistent quality, where texture and atmosphere take the spotlight.

deep&disco recordings presents chicago-based band the right now with *call girl*, a gritty piece of live retro-soul with a package of varied and unique mixes. the a-side kicks off with hot toddy turning the funk up a notch in his characteristically musical way, in a mix that layers new live elements over the original and builds to a dazzling peak. following that is the original version: a straight-to-tape recording of the band with lush keys, tight rhythm section grooves, horn stabs, and vocals that drip with soul. then on the b-side, dicky trisco turns in a deep and dubby late-nite disco burner, and label head jkriv takes the tune into old-school house territory with thumping 909 drums and bouncing piano stabs. early dj support from kon, 6th borough project, lovebirds, ooft!, jacques renault and more.

lost paradise delivers a modern execution of our post-disco dance music culture, maintaining references to the past and looking for the oasis on the horizon. lost paradise #2 features two originals from space coast, aka sleazy mcqueen and jorge collazo. *vibe a.m.* is deep and dreamy with live flute and piano, emotive melodies and groovy bass. social disco club and last waltz turn in two completely different mixes, both fit for the late or early hours of the night. *cant get enough sunshine* is a melodic and cerebral ode to mid-nineties new york house but with a twist.
support from q-burns abstract message, b.g. baarregaard, sleazybeats recordings, atnarko, sleazy mcqueen…, ...

nyc (via paris) based dj and producer sid vaga returns to nickodemus wonderwheel recordings with another 12 inch full of exotic deep house vibes sure to light up dance floors everywhere. it is an impressive follow-up to his genuinely well-received *brazuca* single from last year. on the a side, sid delivers *na na ye*, a driving cut with a pulsing bass line and hypnotic african chant that pushes the tune forward before getting flipped into a percussive section alongside deep and subtle synths. on the flip *manouche* can be found, a late night house tune with psychedelic balkan guitars and swirling gypsy vocal samples punctuating the track. rounding out the single, valencian producer oscar barila (plastic city) gives *manouche* a truly funky remix with a squelchy 80s new wave style bass line, thumping house beat, and irresistible synth work coming together for a real after-hours nightclub workout.

brand new label contemporary scarecrow launches this january with a double pack vinyl ep from chicago house veteran boo williams, entitled >back to the future / looney chunes vol.1<. contemporary scarecrow is an australian based fashion and record company bringing you intriguing clothing and music. here the labels inaugural release kicks things off in style with four fresh cuts from boo williams and three tracks from the past repressed for the package and accompanied by full colour sleeves. boo williams was propelled into the underground house and techno scene through long time ally glenn underground who introduced williams to music production back in the late 90s, boo has since gone on to record for reputable imprint such as josh winks ovum, rush hour and cajmeres releif.

rooted in disco sensibilities and smeared with a hint of that classic roule sound, jolly mare serves up an ep that will tickle the fancy of both late-night groovers and prime-time stompers alike.
dj support: yamwho?, leftside wobble, james johnston ...

manmakemusic kick-off 2013 with their housiest offering to date from two new label artists, natan h & amy jean. natan h made his debut last year with anton zaps ethereal sound and on this occasion collaborates with longtime creative partner for an ep of bumping, unconventional house music. title track, *for her*, is a beast of unrivalled warmth working a deep and steady groove to perfection. on the flip, *i know* is a soulful disco-infused workout while *rush* takes aim squarely at the late night raver with its enveloping pads and low-slung bass line.

it is deep house baby, mike o velja & philipp schneider comeswith their second release on audio safari.

distorting former interpretations from the late unchained rhythms series propelling the primitive released >eno< into an entirely new dimension, resulting in what joaquin describes as a mind-fuck battle between himself and himself.

toby tobias joins the d.o.g crew for release no. 29 and fits like the proverbial glove with an incredible ep which truly lives up to its name.its probably fair to say that toby is one of the unsung heroes of the uk scene having played a pivotal part in developing the underground disco scene of the late noughties. his late night audio parties alongside releases on rekids, lets play house, nang and quintessentials speak volumes as to the mans skills and fastidious nature and here he delivers what wed be so bold as to say his best work yet with the pathfinder ep.

dj ino and company bring along tete de la course band on remix duties with a serious deep late night jam. we call upon one of our good friend dj spinna and as always he gives us his signature galactic soul treatment that never disapoints! hope you enjoy this one as much as we did putting it together!

the legendary west coast label siesta returns with an ep from jp chronic. press on limited blue vinyl.

ezlv craft playfully luxurious extended-mix radio hits from the bi-curious, bygone dance-meets-soul era. its sound stream in song form, luscious and light, brought to juicy lime-life with cool-curated club samples, late 70s horn porn, and elegant dj creationism.

amazing record! birdsmakingmachine is a collective of wandering artists interested in music, design and off course, birds.

is it balearic hit their late 20s with another superb release - this time craig bratley steps up with analogue dreams. craig has earnt quite a reputation from only a handful of releases, including the weatherall favourite and classic cut >birdshell< on instruments of rapture. on analgue dreams, craig lays down a gently evolving, acid tinged piano slow burner, all mood and melody. first up on the remix we have the ever essential bonar bradberry who amps things up and takes a clonking bass riff down the disco for a real good time. on the flip crimea x pare the musical elements right down and build an epic remix from the raw ingredients, employing live percussion and shimmering synths. finally joes bakery dial down the tempo and incorporate some deft acoustic guitar and gentle moodswings alongside the musical elements of the original.

exposure music debuts with the two hamburg based djs and producers 90sechzig90 - the europa original mix comes with sweet rhodes sounds combined with a groovin housebeat which will get your crowd in the right mood for a long late summer evening. the little extra is given by the big white dog lost

atjazz & fred everything are back together again. their last collaboration dates 2010 on lazy days but the pair have been friends since the late 90s and have collaborated and remixed each other countless times. the beast and the ghost explores the deeper, dubber side of their production. the project was started in derby and finished in san francisco, while atjazz worked on his inside dub from home. this will be featured on the upcoming lazy dubs compilation, out in january.

as a man well versed in the moves of the old-school, fabio monesi launches his albion imprint with the immaculately executed styles of 623, full of sexy 90s synth notes and crisp, pumping beats. washerman brings a more rugged style on his remix of the tune, dropping in some cheeky and thoroughly familiar samples, while the melody wobbles around an amorphous scale. the peephouse finds monesi reaching back to the soothing organ tones of the dx7, with a gentle and piano-driven throw down that stills carries plenty of heft for the floor. rio padice steps up for another remix of 623 and spreads a strange and nervous shape-shifter of a late-night jam, scattering the vocals like confetti and nudging the drums out of joint on a whim.

what more appropriate artist could possibly be featured on the inaugural release from hakt recordings the new label from dance music fixture justin miller, formerly of dfa records than dj and producer walter jones? over the course of a career that began in the late 80s, joness impeccable sense of sound has led him to produce some of dance musics high water marks of the last decade while his unflagging standards of quality control have made his own catalog a restrained display of taste and tale

definition of d is a little tribute to detroit, the city that influenced and later embraced my music in the mid/late 90s. this ep is an attemt to make music that is closer to the sound that i started out making but still different from the old detroit releases. high tech soul and is hopefully the key here. available on vinyl

the organ grinder made a lot of noise with his sought-after obsession track late last year. his unique and raw blend of deep house and uncompromising beats perfectly fits 4lux catalogue so, here the grinder serves you with 4 mighty dancefloor bombs. smiley face is a tough ravey club track with catchy vocals and blunt stabs. project features a collab with jessy allen resulting in a mesmerizing tune. universe is another pumping track reminiscent of early belgium rave music but then in a true organ grinder club-vibe. heaven is a smooth nugget with delicate strings, simple organ notes and atmospherical vocals.

japans rhythm of elements return with another e.p. that display their versatility and belief in the many forms that soulful music can take. >tribe #3< contains the classic rhythm of elements combination of dj uchikawas firing electronic beats alongside virtuoso piano playing by makoto kuriya, plus bass by incognitos francis hylton. the track is a tribute to the late departed detroit electronic music artist aaron carl who sadly passed away last year. continuing the detroit connection, rick wilhite has been working with the likes of theo parrish and moodymann for years, and his remix of >tribe #3< provides an audio beatdown, stripping the whole thing down to its rawest elements, and supplying the hard and the smooth in perfect balance. >blow< is another journey into a percussive horn driven groove for the dancefloor. rhythm of elements provide the remix, layering the musical elements like flavours in a delicious cake. finally, >meditation bath< (loftsoul 2012 mix) takes the pace right down for this beautifully relaxing slow burner. close your eyes and let it flow over you.

new leng signing auf togo are the combination of clement cachot-coulom from the fabulous penetrators and sasa crnobrnja, one half of in flagranti. their combined sound is one of vintage recording equipment and instruments coupled with tweaks and blends from the modern studio. this new 12 inch for leng draws on all their knowledge of the past and of the current club scene, effortlessly gliding through deep, warm analogue sounds and tougher studio techniques. both tracks have guitar work that reminisces of a late 60s west coast scene laid over strong bass lines and beats giving the perfect mix of home listening fuzz and a late night dance floor.

church is a much respected london party that invites the likes of juan atkins, darling farah, marcellus pittman and other such underground heavyweights to their events, and have done for 18 months. now well established, founders seb wildblood & apes are taking the next step and launching a label of the same name after dipping their toe in the release arena with a lorca white label, ‘faith evans refix’ which was out in late september.

djulzs bass culture records revisits home soil with its forthcoming work ep, from young parisian techno gem, john jastszebski. bubbling under the radar whilst building support through residencies at paris social club and rex club, jastszebski received affirmation for his early productions from the likes of luciano, richie hawtin and agoria. flash forward to late 2012 and djulz has snapped up the talented producer for a four track ep, backed by a bonus remix from chicago born, detroit raised house don, delano smith. the work ep is all twilight silkiness, the skill behind the alluring, forward thinking construction instantly inviting you on the journey. from soothing piano riffs to tribal drum work and allusions to mother nature, the work of both jastszebski and smith on the remix maintains bass cultures tradition of technical clarity and creativity.

tm404 is a new concept from analogue mastermind andreas tilliander aka mokira (kontra-musik, raster-noton, type). tm404 uses a multiple set up of the classic roland machines tb-303, tb-606 and mc-202 to create a mesmerizing acidic techno-drone. tm404 will release a full-length album on kontra-musik in late january and we are very much looking forward. but before that we have another great release to present. kontra-musik 028 is by far our most radical release on so far. this is dance music really pushed the limit. what you are about to hear is the result of morphosis (morphine records) remixing tm404 using his favorite korg machines – the ms20 and the sq10. rabihs own words on the music: quite challenging and not really ordinary dance music. i believe in moving forward with things, with whatever chances and possibilities i have, it is my contribution to this world.

an outstanding highlight in this years late summer is presented by the stars of the berlin label supdub. for this years first time the dj duo heinrichs & hirtenfellner (also well known as alfred heinrichs & sascha braemer) is producing together again.

illuminating late night in pure electronic genius is this brilliant portfolio of ocean deep productions. leading off, drivetrains (detroit, usa) >together< rocks the floor from the first dropped beat. but the real surprise is the evolving melodies submerged in infectious groove. rubba js (brussels, bel) soiree debut >reflection< details a meticulous syncopation dancing through relentless rhythm. absent for over a decade, country gents (london, uk) return to soiree with >need me<. club-tested, the booming bass and powerful vocal provide a wicked sonic high. professor inc (paris, fra) brings another earth quaking, body-shaker. >luvin< fuses clever chord progressions, subsonic riffs and the tweaked-out vocals of kris magnetik. aqua marine – redefining the fathomless depth of the underground.

following up his well-received 12inch >deep deep down< on aus in late 2011, cottam re-emerges with another striking two-tracker for the label. originally breaking onto the scene in 2009 via a series of anonymous 12inches — three of which were named in phonicas top 50 singles — he eventually unveiled himself as the humble newcomer paul cottam.

after the hit >confiara< (vibe002) fabio alampi gives us another awesome dancefloor bomb! vibe005 >escape< pushes loud from the first to the last beat of kick, surfing in a techno percussion kit, dancing on a killer bass-line stoled from the dirty detroit club of late 90s that lets you trip when an incredible dark voice speaks directly to your soul. cant miss an amazing series of remixes, opened by the big-boss alan fitzpatrick . (drumcode/soma/sleaze), essential and straight, violent and elegant, powerfull detroitish pure techno. we will find the same detroit-vibes also in the remix by francesco bonora (abstract theory/plastic city), gumming and bright ambient, big kick, far voices. so good. &#8232,,,,,,,to close the remixes, sarp yilmaz (apparel) retouched the original mix to create a really grooving old housy beat, slowly and rolling. can you escape?

after the cosmic awakening ep by dmx krew on shipwrec, breakins label boss returns under his edmx moniker, this time to stir up business with some analog 303 mayhem. four tracks of proper hardcore raving acid! without any compromise 153 mission ep smacks you in the face with a force not many possess these days. a very effective dancefloor smasher for the late hours.

arttu is back on royal oak after his critically acclaimed nuclear funk / get up of it release late 2011. another split single featuring two detroit jazz and funk vocalists. the female poet diamondancer on tune in and the his buddy from jerry the cat on move! arttu smoothly blends his roots in the best house traditions with contemporary influences on these two tracks. recommended!!

we are very proud to introduce the next release out of madtech records, this time it is in the shape of the new single from krystal klear >more attention<. this stellar track is accompanied by the equally excellent b-side >my love is burning<. both tracks are reminiscent of late 80s / early 90s sounds using samples to resuscitate the ghosts of past genres with a firm current house beat snapping it back to a contemporary cutting edge house sound. krystal klears nostalgic sound is created in a sea of synthesisers, hooks, drum machines and samples that are weighted by present-day bass licked house beats.

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

subwax bcn is very proud to present our new sister label detroit dancer! on this first release we give you no other one than detroit legend santonio echols! mr santonio got famous in the late 90s with vital releases on labels such as kms, serious grooves, made in detroit, express, siren and tresor, from which he made a true mark in techno history. on this release you get three tracks of pure detroit dancing moods and including a fresh remix from orlando voorn, another pioneer in the world of detroit sounds!

doyeq has charmed us in the past with their work on the >knights of the sad pattern< compilation released by pro-tez records late 2011. >without music< is a killer 12 inch from pro-tez camp with remixes from satoshi fumi, tom clark and yate. all mixes work for the dance floor, ranging from spindly-tech/house through to lolloping great hunks of beaty chunky goodness with an estranged herbert/swayzak feel.

jack dixon follows a string of critically acclaimed releases for apollo (r&s), take and losing suki (hypercolour) with his debut outing for hotflush. influenced by the sparse atmospherics of wolfgang voigt, the playful intricacy of autechre beats and the off-kilter grooves of uk garage, the berlin-based producer is unconstrained by genre or place, pioneering a modern, progressive sound that has already garnered him a glowing reputation. in turns colourful, ambient, melodic and driving, his new ep feels right at home on scubas label. beginning with a deceptively clean and minimal rhythm, >e< slowly gives way to lush glacial drones, skittering beats and huge euphoric drops to form a bold production that sits somewhere between the early morning techno dancefloors of berlin and the murky sweatbox raves of late-night south london. on the flip, he delivers the soulfully taut >find shelter<. warped vocals weave in and out of an insistent, jazzy house groove, backed by a tapestry of glitches, vinyl crackle and live drum flourishes. it all leads to one of the most delirious and ecstatic drops you will hear this year.

chairlift present takes on several cuts from acclaimed second album >something< by some of their favorite producers, showcasing how their songs can easily be adapted for the club. appropriately titled the 6.15amix, spanish equipo fantástico john talabot and pional turn >i belong in your arms< into a balearica-infused club-closer. a nifty piano line and seductive rhythm take the song on a late night (or rather early morning) trip to the beach, while carolines voice is being warped into something from outer space. photek takes the same track to a whole different place with his powerful jungle interpretation. martyn respects both the pace and rhythm of sidewalk safari, yet exchanges the clean production for a rather more cosmic beat, incorporating many of his signature touches to compliment the sinister >i m gonna hunt you down< lyric. dan careys dub mix of >sidewalk safari< shows a more playful side, while arguably the most intriguing remix of the package is the fields take on >met before<, recalling his early work it is so warped and layered you may struggle to imagine the original minus the smallest of hints.

the midnight shift label debuts with a daring pairing of the emerging and established in this efflorescence ep –, featuring a bloom of talent under the bright moonshine. the first ep features singaporean eddie niguel with torontonian basic soul unit aka stuart li. together, they present a crisp and compelling release statement that pushes a new trajectory in the house and techno genres.
already support by dvs1, skudge, slam, trevino, jonas kopp, peter van hoesen, cosmin trg, josh wink, mark e, vince watson, steve mac, claude young, ivan smagghe, tim sweeney ... …,

hot natured and ali love are set to release one of the most hotly anticipated singles of the year, >benediction< on late october through hot creations.

the stone roses were the leaders of the britains late eighties madchester scene, merging pop, dance and indie rock in a seemingly effortless manner. their sound resonated with a number of bands that followed the stone roses in their footsteps: the charlatans uk and happy mondays among others. when released in 1992, turns into stone functioned as a sop to stone roses fans expecting another smash album like their eponymous debut album from 1989. silvertone records released turns into stone as a comprehensive collection of early stone roses material, hits and b-sides of exceptional quality. includes their biggest hit >fools gold<!
pressing on 180 gram audiophile vinyl.

rmixed coloured vinyl only release !!! eady for some bambule and some glory in the morning suit for deep emotional moments on the dancefloor whitelabels, bootlegs, dubplates are a part of the dj culture since the late 70s when djs starts to be individuals and not anymore record players of radio edits. in a time of digital revolution is it important to remember where we come from and to understand music as a gift from me to you and let that we enjoy it on the floor in the manifest of dancing. no profit, no hurt, just free music for free people.

signing to stil vor talent in late spring and a summer of lauded festival performances, such as at the renowned berliner melt! festival - this autumn hvob (short for her voice over boys) now go on to deliver their virgin release: the dogs ep closes the circle of an impressive first year for the young electronica project.

inspired by mexican street art, dirty basements low-rider bikes, booming sound systems and everything musically that springs from the late 70s and early 80s, isms midnight riot label again drops an ep of bombastic proportions. sleazy mcqueen delivers a dirty blissful laidback workout with ez to love whilst rayko, spains greatest export once again does not disappoint with the hedonistic summer smash hard, and the ever creative mark e steps up with a twisted cosmic house remix for heion on follow me. dj butcher an amazing greek producer and another big name on the disco edit scene has conjured up the amazing anthemic we are the music

after the huge success of the jeudi records friends ep with montes *true* the 5th release of jeudi records is welcoming yet another young gun from hamburg house city. sidney charles is deep into the drivin, energetic jackin house style. his two originals come with strong vocals, dominant basses and a dash of old school flavour. this diversified release is supported by two stylish remixes from re.you and label crew member doctor dru. re.you captures the berlin deep technoish vibe with a heavy tombass and a rare hypnotic groove. doctor drus remix is showing the melancholic and soulful feel of the vocals. perfect for the late summer nights.

first release of cologne newcomers aroma pitch with deep melodic house for the dancefloor.

elbee bad is another great underground house pioneer from the formative days of nyc house in the late eighties. the true story of house music finally gets told... tip! like the burrell brothers, elbee bad aka lamont booker, is an early house producer from new york city. and the comparison doesnt stop there. elbee bad has also recorded under different aliases and has also remained largely unknown to a wider audience. he has also recorded for nu groove records, for which he has recorded his most famous material, but like the burrells he wasnt a nu groove fixture. bad recorded for a slew of other independent new york house labels like bassment, city limits, easy street, red heat, united states of america and then there was his own larhon records

the layabouts are anything but. 2012 marks leigh darlow and alex paschalis 10th year together and they have never been so in form or demand. their cast iron reputation for quality deep soulful house – house music forged with feeling and real purpose – continues, impressively, to grow.
rhythm master darlow and guitarist cum orchestrator paschali first met in 2001– in home city london – off the back of various projects in the same studio space. in time, their mutual love of expressive house music would lead to cult licks feelin right and the way i feel, sizzling material for kenny dope gonzalez and hot-to-trot remixes of dj spinna, da lata, dj spen and robert owens, and soulsearcher.